Numb. 139. Tuesday, July 16, 1751.
———Sit quod vis simplex duntaxat et unum. |
Hor. |
Let ev'y piece be simple and be one. |
IT is required by Aristotle to the perfection of a tragedy, and is equally necessary to every other species of regular composition, that it should have a beginning, a middle, and an end. "The beginning," says he, "is that which hath nothing necessarily previous, but to which that which follows is naturally consequent; the end, on the contrary, is that which by necessity, or at least according to the common course of things, succeeds something else, but which implies nothing consequent to itself; the middle is connected on one side to something that naturally goes before, and on the other to something that naturally follows it."
Such is the rule laid down by this great critick, for the disposition of the different parts of a well-constituted fable. It must begin, where it may be made intelligible without introduction; and end, where the mind is left in repose, without expectation of any farther event. The intermediate passages must join the last effect to the first cause, by a regular and unbroken concatenation; nothing must be therefore inserted which does not apparently arise from something foregoing, and properly make way for something that succeeds it.
This precept is to be understood in its rigour only with respect to great and essential events, and cannot be extended in the same force to minuter circumstances and arbitrary decorations, which yet are more happy as they contribute more to the
