pressions, though many of the views might have excited it.
His appearance on horseback was not advantageous, and he seemed aware of it, for he made many excuses for his dress and equestrian appointments. His horse was literally covered with various trappings, in the way of cavesons, martingales, and Heaven knows how many other (to me) unknown inventions. The saddle was à la hussarde with holsters, in which he always carried pistols. His dress consisted of a nankeen jacket and trousers, which appeared to have shrunk from washing; the jacket embroidered in the same color, and with three rows of buttons; the waist very short, the back very narrow, and the sleeves set in as they used to be ten or fifteen years before; a black stock, very narrow; a dark-blue velvet cap with a shade, and a very rich gold band and large gold tassel at the crown; nankeen gaiters, and a pair of blue spectacles, completed his costume, which was any thing but becoming. This was his general dress of a morning for riding, but I have seen it changed for a green tartan plaid jacket. He did not ride well, which surprised us, as, from the frequent allusions to horsemanship in his works, we expected to find him almost a Nimrod. It was evident that he had pretensions on this point, though he certainly was
