the market for the commodities produced by the little artistic industry will be reduced. This will certainly not be without influence on the articles of artistic production. It will not abolish such production but only alter its character. The easel painting and statuettes which can most easily change their places and possessors, that can be placed wherever we wish, are the special form of commodity production in art. They include those forms of artistic work that can easiest take the form of commodities, which, like jewelry, can be accumulated and stored either for the purpose of re-selling at a profit or to hoard as treasures. It is possible that their production for the purposes of sale will find many obstacles in a socialist society. But in place of these, other forms of artistic production will appear.
A proletarian regime will immensely increase the number of public buildings. It will endeavor to make attractive every place occupied by the people, whether for labor, for consultation, or for pleasure. Instead of accumulating statuettes and pictures that will be thrown into a great impersonal market from whence they finally find a place utterly unknown to the artist and are used for wholly unthought of purposes, the artist will work together with the architect as was the case in the Golden Age of art in Athens under Pericles and in the Italian Renaissance. One art will support and raise the other and artistic labor will
