the holy of holies). The inner compartment was made into the most holy place through the ark of the covenant with the throne of grace upon it.
Verse 35
The two other things (already described) were to be placed outside the curtain, viz., in the holy place; the candlestick opposite to the table, the former on the south side of the dwelling, the latter towards the north.
verses 36-37
For the entrance to the tent they were also to make a curtain (מסך, lit., a covering, from סכך to cover) of the same material as the inner curtain, but of work in mixed colours, i.e., not woven with figures upon it, but simply in stripes or checks. רקם מעשׂה does not mean coloured needlework, with figures or flowers embroidered with the needle upon the woven fabric (as I asserted in my Archäologie, in common with the Rabbins, Gesenius, Bähr, and others); for in the only other passage in which רקם occurs, viz., Psa 139:15, it does not mean to embroider, but to weave, and in the Arabic it signifies to make points, stripes, or lines, to work in mixed colours (see Hartmann die Hebräerinn am Putztisch iii. 138ff.). This curtain was to hang on five gilded pillars of acacia-wood with golden hooks, and for these they were to cast sockets of brass. In the account of the execution of this work in Exo 36:38, it is still further stated, that the architect covered the heads (capitals) of the pillars and their girders (חשׁקים, see Exo 27:10) with gold. From this it follows, that the pillars were not entirely gilded, but only the capitals, and that they were fastened together with gilded girders. These girders were either placed upon the hooks that were fastened to the tops of the pillars, or, what I think more probable, formed a kind of architrave above the pillars, in which case the covering as well as the inner curtain merely hung upon the hooks of the columns. But if the pillars were not gilded all over, we must necessarily imagine that curtain as hung upon that side of the pillars which was turned towards the holy place, so that none of the white wood was to be seen inside the holy place; and the gilding of the capitals and architrave merely served to impress upon the forefront of the tabernacle the glory of a house of God.
If we endeavour to understand the reason for building the dwelling in this manner, there can be no doubt that the design of the wooden walls was simply to give stability to the tabernacle. Acacia-wood was chosen, because the acacia was the
