congregation, as well as with the ox and he-goat which the high priest offered as sin-offerings on the day of atonement for himself, the priesthood, and the congregation, when the blood was sprinkled seven times before (לפני) the capporeth (Lev 16:14), and seven times upon the horns of the altar (Lev 16:18-19). So too the blood of the red cow, that was slaughtered as a sin-offering outside the camp, was sprinkled seven times in the direction towards the tabernacle (Num 19:4). The sevenfold sprinkling at the feast of atonement had respect to the purification of the sanctuary from the blemishes caused by the sins of the people, with which they had been defiled in the course of the year (see at ch. 16), and did not take place till after the blood had been sprinkled once “against (? upon) the capporeth in front” for the expiation of the sin of the priesthood and people, and the horns of the altar had been smeared with the blood (Lev 16:14, Lev 16:18); whereas in the sin-offerings mentioned in this chapter, the sevenfold sprinkling preceded the application of the blood to the horns of the altar. This difference in the order of succession of the two manipulations with the blood leads to the conclusion, that in the case before us the sevenfold sprinkling had a different signification from that which it had on the day atonement, and served as a preliminary and introduction to the expiation. The blood also was not sprinkled upon the altar of the holy place, but only before Jehovah, against the curtain behind which Jehovah was enthroned, that is to say, only into the neighbourhood of the gracious presence of God; and this act was repeated seven times, that in the number seven, as the stamp of the covenant, the covenant relation, which sin had loosened, might be restored. It was not till after this had been done, that the expiatory blood of the sacrifice was put upon the horns of the altar, - not merely sprinkled or swung against the wall of the altar, but smeared upon the horns of the altar; not, however, that the blood might thereby be brought more prominently before the eyes of God, or lifted up into His more immediate presence, as Hoffmann and Knobel suppose, but because the significance of the altar, as the scene of the manifestation of the divine grace and salvation, culminated in the horns, as the symbols of power and might. In the case of the sin-offerings for the high priest and the congregation, the altar upon which this took place was
