Page:Krakatit (1925).pdf/48

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38
Krakatit

a man with an extraordinarily expressionless face; next to Prokop was a terribly fat gentleman whose stomach could not settle down between his legs, and, further away, somebody else, but that didn’t matter. Prokop did not dare to look out of the window—it made him feel giddy. Ra-ta-ta-ra-ta-ta the train thumped out, vibrating and rattling with the feverishness of its movement. The head of the tailor swung to the right, to the left, to the right, to the left; the dark lady in some curious fashion bounced stifly up and down on the same spot, the expressionless face vibrated and jerked like a bad film in a cinema. And his fat neighbour was simply a heap of jelly which jumped, shook and hopped in the most extraordinarily entertaining manner. Tynice, Tynice, Tynice, scanned Prokop to the beat of the wheels; faster, faster! The train grew heated through its haste; it became warm in the carriage and Prokop began to sweat; the tailor had now two heads on two thin necks; both heads shook and knocked against one another until they rattled. The dark lady jumped up and down on her seat in the most amusing and yet offensive way; she deliberately put on the expression of a wooden doll. The expressionless face disappeared; in its place there sat a body with its arms folded in a dead manner on its lap; the hands jumped about, but the body had no head.

Prokop exerted all his strength in order to see it properly. He pinched his leg, but it was no use; the body remained headless and lifelessly responded to the vibration of the train. Prokop became horribly uncomfortable. He nudged his fat neighbour with his arm; but the neighbour only quivered still