On their arrival next night at the place of encampment they were surprised and delighted to find the groves all around illuminated; some artists of Yamtcheou[1] having been sent on previously for the purpose. On each side of the green alley, which led to the Royal Pavilion, artificial sceneries of bamboo-work were erected, representing arches, minarets, towers, from which hung thousands of silken lanterns painted by the most delicate pencils of Canton.--Nothing could be more beautiful than the leaves of the mango-trees and acacias shining in the light of the bamboo-scenery which shed a lustre round as soft as that of the nights of Peristan.
LALLA ROOKH, however, who was too much occupied by the sad story of ZELICA and her lover to give a thought to anything else, except perhaps him who related it, hurried on through this scene of splendor to her pavilion,--greatly to the mortification of the poor artists of Yamtcheou,--and was followed with equal rapidity by the Great Chamberlain, cursing, as he went,
- ↑ "The feast of Lanterns celebrated at Yamtcheou with more magnificence than anywhere else! and the report goes that the illuminations there are so splendid, that an Emperor once, not daring openly to leave his Court to go thither, committed himself with the Queen and several Princesses of his family into the hands of a magician, who promised to transport them thither in a trice. He made them in the night to ascend magnificent thrones that were borne up by swans, which in a moment arrived at Yamtcheou. The Emperor saw at his leisure all the solemnity, being carried upon a cloud that hovered over the city and descended by degrees; and came back again with the same speed and equipage, nobody at court perceiving his absence."--The Present State of China," p. 156.
