fare but proceeded to swallow up the women and children. The scales of this dragon were so hard and firmly set, that bullets shot by the guns of those days took no effect upon the monster; and the owner of Unsworth, finding this the case, loaded his gun with his dagger and mortally wounded the dragon under the throat, as it was raising its head to rush at its assailant. The table is said to have been constructed after this event, and was partly carved by the dagger which had destroyed the reptile. The carvings on the table and panel are somewhat curious. One is a representation of St George and the Dragon, another contains rude figures of the eagle and child, a third the lion and unicorn, and a fourth of the Dragon of Unsworth. The crest of the family consists of a man in black armour holding a battle axe in one hand; and tradition states that this is a portrait of Thomas Unsworth in the dress he wore at the time of the conflict. What may have given rise to the legend it is quite impossible to determine; but an estate was once granted to a member of this family for some important military service, and this may have had something to do with its origin. There are several carvings of the dragon in the possession of the family. One of these resembles a long serpent with the head and wings of a sphinx; another represents the monster as a serpent with the head of an old man; and a third resembles a serpent in folds with stings at the ends of the tongue and tail. The initials "C. V.," under the head of one of the figures, serve to indicate that the carvings have been executed for one of the owners of the mansion.
There is a singular circumstance connected with most of these dragon stories which is worthy of special notice. It is that of the frequent use of sacred and mystic numbers in the narratives, and this in some degree supports
