LANDSCAPE PAINTING
Of course one must paint what one sees, but one must see through the mind as well as through the eye. I do not mean by this to assert that young painters can entirely dispense with study direct from nature, or even that the veteran would not do well occasionally to carry his easel into the open air. The student indeed must paint for many years direct from his subject, must pry as closely as ever he can into the secrets of nature; but I would have him at the same time constantly train the sub-conscious servant, so that when the time comes that his services shall be needed, he will be indeed a "good and faithful servant."
The wonderful synthetic charm of Japanese art is largely due to the universal custom of the Japanese artists of working wholly from memory. Any one who studies their drawings of birds, of
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