girls by Degas, a group of shepherdesses and shepherds, in pink and blue and white beribboned silk, by Fragonard, a portrait of a woman by Bastien-Lepage, a charming Corot, and two Conder fans showed that the taste of their fortunate owner was at any rate eclectic. At the end of the room was, of all curious things, the opening into the well of a lift. The doors of it were open, though the lift itself was on some other floor. To the left of the opening stood a book-case, its shelves loaded with books of a kind rather suited to a cultivated, thoughtful man than to an idle dandy.
Beside the window, half-hidden, and peering through the side of the curtain into the street, stood M. Charolais. But it was hardly the M. Charolais who had paid M. Gournay-Martin that visit at the Château de Charmerace, and departed so firmly in the millionaire's favourite motor-car. This was a paler M. Charolais; he lacked altogether the rich, ruddy complexion of the millionaire's visitor. His nose, too, was thinner, and showed none of the ripe acquaintance with the vintages of the world which had been so plainly displayed on it during its owner's visit to the country. Again, hair and eyebrows were no longer black, but fair; and his hair was no longer curly and luxuriant, but thin and
