III
HE was our nurse's colleague in the theatre; the difference was only that she "acted on the stage and danced dances," while he was the "Toupee Artist," that is, the hairdresser and maker-up, who painted and dressed the hair of all the Count's serf actresses. But he was no ordinary commonplace barber, with a hairdresser's comb behind his ear, and a tin pot of rouge and tallow; he was a man with ideas—in a word, an artist.
According to Lyubov Onisimovna's words no one could "make imagination in a face" better than he.
I am unable to say exactly at the time of which Count Kamensky these two artistic natures flourished. Three Counts Kamensky are known, and they were all called by the old inhabitants of Orel: "Unparalleled tyrants." Field-marshal Michail Fedotovich was killed by his serfs for his cruelty in the year 1809, and he had two sons, Nickolai, who died in 1811, and Sergei, who died in 1835.
I was a child in the forties, but can still remember a huge wooden building with imitation windows
