body is too terrible. Let us turn the page quickly. He inspires sympathy and nothing more. Here we have Lafond, perhaps an insignificant artist, but much appreciated at present; as you see, he has understood Christ differently from all the preceding artists, and has represented Him differently, for himself and for us. The figure is well proportioned and attractive. The face is serene and dovelike. He looks out from under pure brows, and how easily the hair seems to stir; here are curls; there the locks seem to have fluttered and rested on the forehead. Beautiful, is it not? And in His hand there is a flaming heart, surrounded by a thorny wreath. This is the 'Sacré Cœur,' that the Jesuit Fathers preach about. Somebody told me it was they who had inspired M. Lafond to paint this image; however, it also pleases those who think they have nothing in common with the Jesuit Fathers. I remember once on a hard, frosty day, I happened to call on a Russian Prince in Petersburg, who showed me the wonders of his mansion, and it was there in his winter-garden—not quite in the right setting—that I saw this image of Christ for the first time. The picture in its frame stood on a table, before which the Princess was seated, lost in thought. The surroundings were beautiful: palms, arums, banana-plants, warbling and fluttering birds, and
