the builders purposely arranged the deviation so as to symbolize the attitude of our Lord's head on the Cross; a beautiful legend. But, after watching the careful arrangements needed to secure a correct alignment, I came to the conclusion that in old days the builders had less accurate methods than we possess, and that they simply made a mistake. The only argument I can think of in favour of the old legend is that, when the alignment is incorrect, its deviation is always on the same side, to the left, as you look East from the nave.
Building, no doubt, whether of one's church or house, is fascinating. Without undue waste of time, I think I may say I watched the completion of St. Mary's, stone by stone, till it reached the pinnacles of the tower. The fashioning of the hard dolerite stone for the exterior was straightforward work for men who understand it. It is grey blue in colour, full of minute crystals, working to a very fine finish if needed, with sharp edges, and when left purposely in the rough, most effective in its light and shade. The limestone used for facings and interior walling and moulded work in the arches and windows needs different treatment. I was much interested in the working drawings for all this. First on paper on a small scale, then in full size, and sometimes in zinc patterns to be followed by the mason. The whole work is close jointed, as in the best thirteenth century work at home; unlike the wide joints of Norman work, so close that at little distance the mortar is scarcely visible. "Are these walls plastered?" said a visitor. "No," I replied, "something better than that."
Most interesting, too, it was to watch the carver at
