blue and white bed, humming and grunting in a solid-citizen manner as he examined her books: Conrad's "Rescue," a volume strangely named "Figures of Earth," poetry (quite irregular poetry, Babbitt thought) by Vachel Lindsay, and essays by H. L. Mencken—highly improper essays, making fun of the church and all the decencies. He liked none of the books. In them he felt a spirit of rebellion against niceness and solid-citizenship. These authors—and he supposed they were famous ones, too—did not seem to care about telling a good story which would enable a fellow to forget his troubles. He sighed. He noted a book, "The Three Black Pennies," by Joseph Hergesheimer. Ah, that was something like it! It would be an adventure story, maybe about counterfeiting—detectives sneaking up on the old house at night. He tucked the book under his arm, he clumped down-stairs and solemnly began to read, under the piano-lamp:
"A twilight like blue dust sifted into the shallow fold of the thickly wooded hills. It was early October, but a crisping frost had already stamped the maple trees with gold, the Spanish oaks were hung with patches of wine red, the sumach was brilliant in the darkening underbrush. A pattern of wild geese, flying low and unconcerned above the hills, wavered against the serene ashen evening. Howat Penny, standing in the comparative clearing of a road, decided that the shifting regular flight would not come close enough for a shot. … He had no intention of hunting the geese. With the drooping of day his keenness had evaporated; an habitual indifference strengthened, permeating him. …"
There it was again: discontent with the good common ways. Babbitt laid down the book and listened to the stillness. The inner doors of the house were open. He heard from the kitchen the steady drip of the refrigerator, a rhythm demanding and disquieting. He roamed to the window. The summer evening was foggy and, seen through the wire screen, the street lamps were crosses of pale fire. The whole world was abnormal.
