"I don't like the feeling there in her belly. There's some rigidity and some inflammation. She's never had her appendix out has she? Um. Well, no use worrying. I'll be here first thing in the morning, and meantime she'll get some rest. I've given her a hypo. Good night."
Then was Babbitt caught up in the black tempest.
Instantly all the indignations which had been dominating him and the spiritual dramas through which he had struggled became pallid and absurd before the ancient and overwhelming realities, the standard and traditional realities, of sickness and menacing death, the long night, and the thousand steadfast implications of married life. He crept back to her. As she drowsed away in the tropic languor of morphia, he sat on the edge of her bed, holding her hand, and for the first time in many weeks her hand abode trustfully in his.
He draped himself grotesquely in his toweling bathrobe and a pink and white couch-cover, and sat lumpishly in a wing-chair. The bedroom was uncanny in its half-light, which turned the curtains to lurking robbers, the dressing-table to a turreted castle. It smelled of cosmetics, of linen, of sleep. He napped and woke, napped and woke, a hundred times. He heard her move and sigh in slumber; he wondered if there wasn't some officious brisk thing he could do for her, and before he could quite form the thought he was asleep, racked and aching. The night was infinite. When dawn came and the waiting seemed at an end, he fell asleep, and was vexed to have been caught off his guard, to have been aroused by Verona's entrance and her agitated "Oh, what is it, Dad?"
His wife was awake, her face sallow and lifeless in the morning light, but now he did not compare her with Tanis; she was not merely A Woman, to be contrasted with other women, but his own self, and though he might criticize her and nag her, it was only as he might criticize and nag himself, interestedly, unpatronizingly, without the expectation of changing—or any real desire to change—the eternal essence.
