that is to say, a place to kneel on. A great bustle and much preparation seemed to be going on within the convent, and veiled figures were flitting about, whispering, arranging, &c. Sometimes, a skinny old dame would come close to the grating, and lifting up her veil, bestow upon the pensive public a generous view of a very haughty and very wrinkled visage of some seventy years standing, and beckon into the church for the major-domo of the convent, (an excellent and profitable situation by the way,) or for padre this or that. Some of the holy ladies recognised and spoke to me through the grating.
But, at the discharge of fireworks outside the church, the curtain was dropped, for this was the signal that the nun and her mother had arrived. An opening was made in the crowd as they passed into the church, and the girl, kneeling down, was questioned by the Bishop, but I could not make out the dialogue, which was carried on in a low voice. She then passed into the convent by a side door, and her mother, quite exhausted and nearly in hysterics, was supported through the crowd to a place beside us, in front of the grating. The music struck up; the curtain was again drawn aside. The scene was as striking here as in the convent of the Santa Teresa, but not so lugubrious. The nuns, all ranged around and carrying lighted tapers in their hands, were dressed in mantles of bright blue, with a gold plate on the left shoulder. Their faces, however, were covered with deep black veils. The girl, kneeling in front, and also bearing a heavy lighted taper, looked beautiful, with her dark hair and rich dress, and the
