was in the market for machinery. Crisis was gone by. Prosperity was come. The world was all ready to move, and only waited for a fresh supply of wheels, cranks, side-levers, walking-beams, and other such muscular creatures of iron, to push and tug and swing and revolve and set Progress a-going.
Dunderbunk was to have its full share in supplying the demand. It was well understood by this time that the iron Wade made was as stanch as the man who made it. Dunderbunk, therefore, Head and Hands, must despatch.
So it was a busy afternoon at the industrious Foundry. The men bestirred themselves. The furnaces rumbled. The engine thumped. The drums in the finishing-shop hummed merrily their lively song of labor. The four trip-hammers—two bull-headed, two calf-headed—champed, like carnivorous maws, upon red bars of iron, and over their banquet they roared the big-toned music of the trip-hammer chorus, —
"Now then! hit hard!
Strike while Iron's hot. Life's short. Art's long."
By this massive refrain, ringing in at intervals above the ceaseless buzz, murmur, and clang throughout the buildings, every man's work was mightily nerved and inspired. Everybody liked to hear the sturdy song of these grim vocalists; and whenever they struck in, each solo or duo or quatuor of men, playing Anvil Chorus, quickened time, and all the action and rumor of the busy opera
