consult against the other. Nothing can be greater than the violence on both sides; printing is suspended in London except at private presses. I hope this will become a source of advantage to our friend Seagrave.
The idea of seeing an engraving of Cowper by the hand of Caroline Watson is, I assure you, a pleasing one to me. It will be highly gratifying to see another copy by another hand, and not only gratifying, but improving, which is much better.
The town is mad: young Roscius [Master Betty] like all prodigies, is the talk of everybody. I have not seen him, and perhaps never may. I have no curiosity to see him, as I well know what is within compass of a boy of fourteen; and as to real acting, it is, like historical painting, no boy's work.
Fuseli is made Master of the Royal Academy. Banks, the sculptor, is gone to his eternal home. I have heard that Flaxman means to give a lecture on sculpture at the Royal Academy on the occasion of Banks' death. He died at the age of seventy-five, of a paralytic stroke, and I conceive Flaxman stands without a competitor in sculpture.
I must not omit to tell you that, on leaving Mr. Phillips, I asked if he had any message to you, as I meant to write immediately. He said, "Give my best respects, and tell Mr. Hayley that I wish very much to be at work for him." But perhaps I ought to tell you what he said to me previous to this in the course of our conversation. His words were, "I feel somewhat embarrassed at the idea of setting a value on any works of Mr. Hayley, and fear that he will wish me to do so." I asked him how a value was set on any literary work. He answered the probable sale of the work would be the measure of estimating the profits, and that would lead to a valuation of the copyright. This may be of no consequence; but I could not omit telling you.
My wife continues in health, and desires to join me in every grateful wish to you and to our dear respected Miss Poole.
