artist as Fuseli is invulnerable; he needs not my defence: but I should be ashamed not to set my hand and shoulder, and whole strength, against those wretches who, under pretence of criticism, use the dagger and the poison.
My criticism on this picture is as follows:—Mr. Fuseli's Count Ugolino is the father of sons of feeling and dignity, who would not sit looking in their parent's face in the moments of his agony, but would rather retire and die in secret, while they suffer him to indulge his passionate and innocent grief, his innocent and venerable madness and insanity and fury and whatever paltry, cold-hearted critics cannot, because they dare not, look upon. Fuseli's Count Ugolino is a man of wonder and admiration, of resentment against man and devil, and of humiliation before God; prayer and parental affection fill the figure from head to foot. The child in his arms, whether boy or girl signifies not (but the critic must be a fool who has not read Dante, and who does not know a boy from a girl), I say, the child is as beautifully drawn as it is coloured— in both, inimitable; and the effect of the whole is truly sublime, on account of that very colouring which our critic calls black and heavy. The German-flute colour, which was used by the Flemings (they call it burnt bone) has [so?] possessed the eye of certain connoisseurs, that they cannot see appropriate colouring, and are blind to the gloom of a real terror.
The taste of English amateurs has been too much formed upon pictures imported from Flanders and Holland; consequently our countrymen are easily brow-beat on the subject of painting; and hence it is so common to hear a man say, 'I am no judge of pictures;' but, oh Englishmen! know that every man ought to be a judge of pictures, and every man is so who has not been connoisseured out of his senses.
A gentleman who visited me the other day said, 'I am very much surprised at the dislike which some connoisseurs show on viewing the pictures of Mr. Fuseli; but the truth is, he is a hundred years beyond the present generation.' Though I am startled at such an assertion, I hope the contemporary taste will shorten the hundred years into as many hours; for I am sure that any person consulting his own reputation, or the reputation of his country, will refrain from disgracing either by such ill-judged criticisms in future.
