CHAPTER XXXIX.
SUPPLEMENTARY.
Amid unavoidable regrets that all it seems possible to glean regarding a life of great gifts and independent aims, which has passed away beneath the very eyes of many now living, is already exhausted, it remains only to add a few further notes of critical or personal detail; a few pages of summary, and of matters accessory to the main subject.
To begin with the first of these:—
The reader has already seen that Blake applied the term fresco to his own pictures in a somewhat unusual sense. According to the literal meaning of the word, he cannot be said to have ever painted a fresco in his life. To Mr. Linnell I am indebted for the following explanation of the matter—an explanation which also throws light on the cause of the lamentable decay into which some of Blake's 'frescos' and temperas have already fallen. ' He evidently founded his claim to the name fresco on the material he used, which was water-colour on a plaster ground (literally glue and whiting); but he always called it either fresco, gesso, or plaster. And he certainly laid this ground on too much like plaster on a wall. When so laid on to canvas or linen, it was sure to crack, and, in some cases, for want of care and protection from damp, would go to ruin. Some of his pictures in this material on board have been preserved in good condition,
