hood with all the great colourists is the lovingly wrought and realistic flesh-painting which is constantly to be met with in the midst of his most extraordinary effects. For pure realism, too, though secured in a few touches as only greatness can, let us turn to the dingy London street, all snow-clad and smoke-spotted, through which the little black chimney-sweeper wends his way in the Songs of Experience. Certainly an unaccountable perversity in colour may now and then be apparent, as where, in the same series, the tiger is painted in fantastic streaks of red, green, blue, and yellow, while a tree stem at his side tantalizingly supplies the tint which one might venture to think his due, and is perfect tiger-colour! I am sure, however, that such vagaries, curious enough no doubt, are not common with Blake, as the above is the only striking instance I can recall in his published work. But, perhaps, a few occasional bewilderments may be allowed to a system of colour which is often suddenly called upon to help in embodying such conceptions as painter never before dreamed of: some old skeleton folded together in the dark bowels of earth or rock, discoloured with metallic stain and vegetable mould; some symbolic human birth of crowned flowers at dawn, amid rosy light and the joyful opening of all things. Even a presentment of the most abstract truths of natural science is not only attempted by this new painter, but actually effected by legitimate pictorial ways; and we are somehow shown, in figurative yet not wholly unreal shapes and hues, the mingling of organic substances, the gradual development and perpetual transfusion of life.
The reader who wishes to study Blake as a colourist has a means of doing so, thorough in kind though limited in extent, by going to the Print Room at the British Museum, which is accessible to any one who takes the proper course to gain admission, and there examining certain of Blake's hand-coloured prints, bound in volumes. All those in the collection are not equally valuable, since the various copies
