and to outsiders seem, like his gifted brother, 'a bit mad'—a mild madman instead of a wild and stormy.
On his father's death, Blake, who found Design yield no income, Engraving but a scanty one, returned from Green Street, Leicester Fields, to familiar Broad Street. At No. 27, next door to his brother's, he set up shop as printseller and engraver, in partnership with a former fellow-apprentice at Basire's: James Parker, a man some six or seven years his senior. An engraving by Blake after Stothard, Zephyrus and Flora (a long oval), was published by the firm "Parker and Blake" this same year (1784). Mrs. Mathew, still friendly and patronizing, though one day to be less eager for the poet's services as Lion in Rathbone Place, countenanced, nay perhaps first set the scheme going—in an ill-advised philanthropic hour; favouring it, if Smith's hints may be trusted, with solid pecuniary help. It will prove an ill-starred speculation; Pegasus proverbially turning out an indifferent draught-horse. Mrs. Blake helped in the shop; the poet busied himself with his graver and pencil still. William Blake behind the counter would have been a curious sight to see! His younger and favourite brother, Robert, made one in the family; William taking him as a gratis pupil in engraving. It must have been a singularly conducted commercial enterprise. No. 27 bears at present small trace—with its two quiet parlour-windows, apparently the same casements that have been there from the beginning—of having once been even temporarily a shop. The house is of the same character as No. 28: a good-sized three-storied one, with panelled rooms; its original aspect (like that of No. 28) wholly disguised, externally, by all-levelling stucco. It is still a private mansion; but let out (now) in floors and rooms to many families, instead of one.
From 27, Broad Street, Blake in 1785 sent four water-colour drawings or frescos, in his peculiar acceptation of the term, to the Academy-Exhibition, one by the way, at which our old friend Parson Gardnor is still exhibiting—some seven Views of Lake Scenery. One of Blake's drawings is from Gray, The
