Page:Life with the Esquimaux - 1864 - Volume 2.djvu/218

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THEATRICALS ON BOARD.
199

The following night, November 26th, "theatrical" performances took place on board the George Henry. The cabin was filled to its utmost capacity with Innuits and the ship's crew. "Jim Crow," the son of Artarkparu, occupied the centre of the cabin, and was performing on the "keeloun," while the other Innuits were seated all around, the female portion singing to the music. I made my way to the little after cabin, and there seated myself so as to have a full view of what was going on.

The keeloun was accompanied by a tambourine made by Mr. Lamb. Another instrument was a triangle, a steel square pendent from a tow string, and struck with an iron spoon. The keeloun was played in turn by Annawa, Ooksin, Koojesse, and young Smith, à la negro! While Annawa was going through the "sweating" process, playing the instrument and dancing the ridiculously wild figures that are indispensable, according to Innuit ideas, his music being accompanied by a full chorus of native female voices, there came bouncing into the very midst a strapping negress, setting the whole house in a roar of laughter. It was young Smith dressed in this character. The tambourine was passed into his hands, and he soon did full justice to the instrument, his or her sable fists soon knocking a hole through the whale's liver skin with which it was covered.

When Smith first entered some of the Innuit women were much frightened. Jennie, the angeko, was seated near me, and she tried to put as great a distance as possible between herself and the negress, believing the apparition to be an evil spirit. But all shortly became reconciled to the stranger, especially when Smith resumed his place, playing and shouting, Innuit-like, and making so much fun that all our sides ached with laughter. Even the singing women were obliged occasionally to give way and join in the merriment.

The negress was next called on to act as drummer. Ooksin held the keeloun while she performed "Yankee Doodle," "Hail Columbia," and other pieces, with admirable skill and effect, using two iron spoons for drum-sticks. The finale was