Page:Little Clay Cart (Ryder 1905).djvu/39

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P. 4.7]
PROLOGUE
3

Empty his house, to whom no child was born;
Thrice empty his, who lacks true friends and sure;
To fools, the world is empty and forlorn;
But all that is, is empty to the poor. 8

I have finished the concert. And I've been practising so long that the pupils of my eyes are dancing, and I'm so hungry that my eyes are crackling like a lotus-seed, dried up by the fiercest rays of the summer sun. I'll just call my wife and ask whether there is anything for breakfast or not.

Hello! here I am—but no! Both the particular occasion and the general custom demand that I speak Prākrit. [Speaking in Prākrit.] Confound it! I've been practising so long and I'm so hungry that my limbs are as weak as dried-up lotus-stalks. Suppose I go home and see whether my good wife has got anything ready or not. [He walks about and looks around him.] Here I am at home. I'll just go in. [He enters and looks about.] Merciful heavens! Why in the world is everything in our house turned upside down? A long stream of rice-water is flowing down the street. The ground, spotted black where the iron kettle has been rubbed clean, is as lovely as a girl with the beauty-marks of black cosmetic on her face. It smells so good that my hunger seems to blaze up and hurts me more than ever. Has some hidden treasure come to light? or am I hungry enough to think the whole world is made of rice? There surely isn't any breakfast in our house, and I'm starved to death. But everything seems topsyturvy here. One girl is preparing cosmetics, another is weaving garlands of flowers. [Reflecting.] What does it all mean? Well, I'll call my good wife and learn the truth. [He looks toward the dressing-room.] Mistress, will you come here a moment?

[Enter an actress.]

Actress. Here I am, sir.

Director. You are very welcome, mistress.

Actress. Command me, sir. What am I to do?