without appealing to his letters, dedications and prefaces, that English literature lost much by the destruction of his prose manuscripts. The small remnant that is left is full of erudite criticism, profound reflection, and great severity of judgment. There are notes on books and on life, arranged in a strange and arbitrary manner, written in a concise and pregnant style; and though they do not contain so much sententious wisdom, remind us forcibly of the "Essays" of Bacon. Two extracts we must give. The first shows us what laws of composition he laid down for himself; the second is interesting as a criticism on his great rival.
"For a man to write well, there are required three necessaries: to reade the best authors, observe the best speakers, and much exercise of his own style. In style to consider what ought to be written, and after what manner; he must first think and excogitate his matter; then choose his words and examine the weight of either; then take care in placing and ranking both matter and words, that the composition be comely, and to do this with diligence and often. No matter how slow the style be at first, so it be laboured and accurate; seeke the best and be not glad of the forward conceits, or first words that offer themselves to us, but judge of what we invent, and order what we approve. Repeat often what you have formerly written; which beside that it helps the consequence and makes the juncture better, it quickens the heate of imagination, that often cooles in the time of setting downe, and gives it new strength, as if it grew lustier by the going back, as we see in the contention of leaping, they jump farthest that fetch their race longest, or as in throwing a dart or javelin we force back our arms to make our tosse the stronger. Yet if we have a faire gale of wind I forbid not the steering out of our angle (?) or the favour of the gale deceive
