been remembered. It seems more likely, however, attributable to the fact that his poverty was known, that he had a little interest, that he possessed the necessary amount of pliancy for a court poet, and that there were no formidable rivals in the field.
Pope was only at this time four years old, and even with his precocity had not yet "lisped in numbers." Swift had written one or more of his Pindaric Odes, but they had merited the discouraging remark of his relation Dryden, and had been sufficiently rewarded by the King teaching him in Sir W. Temple's garden, how to cut asparagus in the Dutch way. Handsome provision had been made for Montague and Prior. Garth had only just passed his examination, and become a fellow of the College of Physicians, and the world had not yet seen the Dispensary. Butler had died in poverty twelve years before; and that poverty, in Tate's words, was a greater satire on the age than his writings. Otway had shared the same wretched fate. And the sweet numbers of Waller were silent. Tate was as good as any of the poetasters of the day, and as a voluminous versifier, and an industrious dramatic author, had been much before the public. Any detailed account of his laureate lucubrations would be superfluous. They are very numerous, and may be found in the library of the British Museum with much pomp of large type and gorgeous binding. The brevity of each poem is its chief recommendation. He flattered the throne, rejoiced in all court appointments, wrote elegies when great men died, advised the Parliament, and celebrated the victories of Prince George of Denmark, and of Marlborough. There is a couplet in his poem on the "sacred memory" of Charles II., which is worthy of one of his successors, Eusden. The grief is terrific.
"To farthest lands let groaning winds relate,
And rolling Oceans roar their master's fate."
"The death of Queen Mary," says Johnson, "produced
