His powers of elocution were great, and Mrs. Oldfield used to say that the best instruction for an actress was to hear Rowe read her part in any new play.
The biography of such a writer would scarcely seem complete without some slight mention of the actors whose efforts were essential to the popularity of his works. Plays whose chief merit lies in the melody of their versification and in their external structure, depend for their success less upon their intrinsic merit than upon the degree of ability with which they are represented on the stage. Rowe's characters are few, and he was peculiarly fortunate in his actors. Betterton, Booth, and Verbruggen, were generally included in the cast, while Mrs. Barry and Mrs. Bracegirdle invariably performed the female parts, of which very few of his plays had more than two. We append, therefore, the following brief notices of those eminent performers who contributed in such an important degree to our poet's reputation.
Thomas Betterton was born at Westminster in August, 1635. He was apprenticed to Rhodes, the bookseller at Charing Cross, who, in the company he collected previous to the Restoration, had for his principal actors Betterton and Kynaston, another of his apprentices, both of whom eventually became prodigies in their art. In 1663, the former married Mrs. Saunderson, who, according to one report, was the first actress that trod the boards in this country. She excelled in Shakespearian characters, and her Lady Macbeth was one of the finest performances the stage has witnessed.
An outline of the principal events in Betterton's life is elsewhere incidentally given in this work. His joining Davenant's company, succeeding to the principal share of the management, proposing the coalition of the two companies, then heading the revolt, and afterwards transferring
