She carried her clothes like a white woman, and she made clothes that could be so carried.
In her way she was as unusual as her father, and the position she occupied was as unique as his. She was the one Indian woman who was the social equal with the several white women at Tana-naw Station. She was the one Indian woman to whom white men honorably made proposals of marriage. And she was the one Indian woman whom no white man ever insulted.
For El-Soo was beautiful—not as white women are beautiful, not as Indian women are beautiful. It was the flame of her, that did not depend upon feature, that was her beauty. So far as mere line and feature went, she was the classic Indian type. The black hair and the fine bronze were hers, and the black eyes, brilliant and bold, keen as sword-light, proud; and hers the delicate eagle nose with the thin, quivering nostrils, the high cheek-bones that were not broad apart, and the thin lips that were not too thin. But over all and through all poured the flame of her—the unanalyzable something that
