his hands gripping violin cases. Cutty hurried to his assistance, accepted a part of the load, and beckoned to the man to follow him. The cases were placed on the floor, and the dealer opened them, putting the rosin on a single bow.
Hawksley, a fresh bandage on his head, his shoulders propped by pillows, eyed the initial manœuvres with frank amusement.
"I say, you know, would you mind tuning them for me? I'm not top hole."
The dealer's eyebrows went up. An Englishman? Bewildered, he bent to the trifling labour of tuning the violins. Hawksley rejected the first two instruments after thrumming the strings with his thumb. He struck up a melody on the third but did not finish it.
"My word! If you have a violin there why not let me have it at once?"
The dealer flushed. "Try this, sir. But I do not promise you that I shall sell it."
"Ah!" Hawksley stretched out his hands to receive the instrument.
Of course Cutty had heard of Amati and Stradivari, master and pupil. He knew that all famous violinists possessed instruments of these schools, and that such violins were practically beyond the reach of many. Only through some great artist's death or misfortune did a fine violin return to the marts. But the rejected fiddles had sounded musi-
