her, and then tell her. Cheat her. Break her heart and break his own.
Fifty-two. Never before had he thought old. His splendid health and vigorous mentality were the results of thinking young. But now he heard the avalanche stirring, the whispering slither of the first pebbles. He would grow old swiftly, thunderously. Kitty's youth would shore up the débâcle, suspend it indefinitely. Marry her, cheat her, and stay young. Green stones, accursed.
Kitty's days were pleasant enough, but her nights were sieges. One evening someone put Elman's rendition of Schubert's "Ave Maria" on the phonograph. Long after it was over she sat motionless in her chair. Echoes. The Tschaikowsky waltz. She got up suddenly, excused herself, and went to her room.
Six days, and her problem was still unsolved. Something in her—she could not define it, she could not reach it, it defied analysis—something, then, revolted at the idea of marrying Cutty, divorcing him, and living on his money. There was a touch of horror in the suggestion. It was tearing her to pieces, this hidden repellence. And yet this occult objection was so utterly absurd. If he died and left her a legacy she would accept it gratefully enough. Cutty's plan was only a method of circumventing this indefinite wait.
Comforts, the good things of life, amusements—
