My few personal belongings were soon packed. I contemplaed my hat sadly before putting it on. It had originally ben what I call a "Mary" hat, meaning by that the kind of hat a housemaid ought to wear on her day out—but doesn't! A limp thing of black straw with a suitably depressed brim. With the inspiration of genius, I had kicked it once, punched it twice, dented in the crown and affixed to it a thing like a cubist's dream of a jazz carrot. The result had been distinctly chic. The carrot I had already removed, of course, and now I proceeded to undo the rest of my handiwork. The "Mary" hat resumed its former status with an additional battered appearance which made it look even more depressing than formerly. I might as well look as much like the popular conception of an orphan as possible. I was just a shade nervous of Mrs. Flemming's reception, but hoped my appearance might have a sufficiently disarming effect.
Mr. Flemming was nervous too. I realized that as we went up the stairs of the tall house in a quiet Kensington Square. Mrs. Flemming greeted me pleasantly enough. She was a stout, placid woman of the "good wife and mother" type. She took me up to a spotless chintz-hung bedroom, hoped I had everything I wanted, informed me that tea would be ready in about a quarter of an hour, and left me to my own devices.
I heard her voice, slightly raised, as she entered the drawing-room below on the first floor.
"Well, Henry, why on earth" I lost the rest, but the acerbity of the tone was evident. And a few minutes later another phrase floated up to me, in an even more acid voice:
"I agree with you! She is certainly very good-looking."
