human character. Prometheus became the embodiment of pure reason. Jupiter stood for active, Juno
for passive will, the one representing insistence, the
other resistance. Minerva pictured the practical
power of the intellect. Apollo became the symbol of
genius, Bacchus that of geniality. Venus was instinctive womanhood, and also a type of the Beautiful,
to the consideration of which four conversations were
devoted. In a fifth, Margaret related the story of
Cupid and Psyche in a manner which indelibly in-
pressed itself upon the minds of her hearers. Other
conversations presented Neptune as circumstance,
Pluto as the abyss of the undeveloped, Pan as the glow
and play of nature, etc. Thus in picturesque guise
the great questions of life and of character were passed
in review. A fresh and fearless analysis of human
conditions showed, as a discovery, the grandeur and
beauty of man's spiritual inheritance.
All were cheered and uplifted by this new outlook, sharing for the time and perhaps thenceforth what Emerson calls “the steady elevation of Margaret's aim."
These occasions, so highly prized and enjoyed, sometimes brought to Margaret their penalty in the shape of severe nervous headache. During one of these attacks a friend expressed anxiety lest she should continue to suffer in this way. Margaret replied: "I feel just not such a separation from pain and illness, such a consciousness of true life while suffering most, that pain has no effect but to steal some of my time."
In accordance with the urgent desire of the class the conversations were renewed at the beginning of the following winter, Margaret having in the meantime profited by a season of especial retirement which was not without influence upon her plan of thought and
