very ill to have allowed them to sink so much into oblivion.
Between the years 1804 and 1813 Miss Edgeworth published Leonora, Griselda, and the stories of various length that were issued under the collective titles of Tales from Fashionable Life and Popular Tales. Leonora was the first work she wrote after her return from France, where she had enlarged the sphere of her mind and heart. It is a marked improvement upon Belinda, the fable is better contrived, the language flows more easily. It was penned with a view to please M. Edelcrantz, and in respect of being written for one special reader, Leonora recalls that curious work by Madame Riccoboni, Lettres de Fanni Butlerd à Milord Charles Alfred, published as a fiction, but in reality only the collection of the writer's love-letters to the Englishman who had wronged and deserted her. "Mistris Fanni to one reader," was the significant heading to the preface of that book.
Miss Edgeworth's purpose in Leonora certainly led her into an entirely new path. To use her own words, no one would have believed that she could have been such an expert in the language of sentimental logic. For her doubly romantic purpose she was able to argue with all the sophistry and casuistry of false, artificial, and exaggerated feeling that can make vices assume the air of virtues, and virtues those of vices, until it is impossible even to know them asunder. The story itself rests upon a narrow and not very probable foundation. Its great fault is that it is too long drawn out for its base. The principal characters are a virtuous, outwardly cold and precise, inwardly warm-hearted English wife, and a well-bred English husband, led astray by the machinations of a Frenchified coquette
