Thermopylae. This was a display of national character that appealed directly and powerfully to Scott, prompting him to the production of his loftiest and most energetic verse. Mournful associations will ever cluster around the tragic battle of Flodden—that 'most dolent day,' as Lyndsay aptly calls it—but all the same the record remains of what heroic men had it in them to do for King and country, where
As fearlessly and well.'
Scott intended to work slowly and carefully through his new poem, but, as he explains in the 1830 Introduction, circumstances interrupted his design. 'Particular passages,' he says, 'of a poem, which was finally called "Marmion," were laboured with a good deal of care, by one by whom much care was seldom bestowed.' The publication, however, was hastened by 'the misfortunes of a near relation and friend.' Lockhart (Life, ii. 115) explains that the reference is to 'his brother Thomas's final withdrawal from the profession of Writer to the Signet, which arrangement seems to have been quite necessary towards the end of 1806.' At any rate, the poem was finished in a shorter time than had been at first intended. The subject suited Scott so exactly that, even in default of a special stimulus, there need be no surprise at the rapidity of his composition after he had fairly begun to move forward with it. Dryden, it may be remembered, was so held and fascinated by his 'Alexander's Feast' that he wrote it off in a night. Cowper had a similar experience with 'John Gilpin,' and Burns's powerful dramatic tale, 'Tam O'Shanter,' was produced with great ease and rapidity. De Quincey records that, in his own case, his very best work was frequently done when he was writing against time. Scott's energy and fluency of composition are clearly indicated in the following passage in Lockharts Life, ii. 117:—
'When the theme was of a more stirring order, he enjoyed pursuing it over brake and fell at the full speed of his Lieutenant. I well remember his saying, as I rode with him across the hills from Ashestiel to Newark one day in his
