readers to share his enjoyment. A very interesting and suggestive account of the new popularity given to the Flodden district by the publication of 'Marmion' will be found in Lockhart's Life, iii. 12. In the autumn of 1812 Scott visited Rokeby, doing the journey on horseback, along with his eldest boy and girl on ponies. The following is an episode of the way:—
'Halting at Flodden to expound the field of battle to his young folks, he found that "Marmion" had, as might have been expected, benefited the keeper of the public-house there very largely; and the village Boniface, overflowing with gratitude, expressed his anxiety to have a Scott's Head for his sign-post. The poet demurred to this proposal, and assured mine host that nothing could be more appropriate than the portraiture of a foaming tankard, which already surmounted his doorway. "Why, the painter man has not made an ill job," said the landlord, "but I would fain have something more connected with the book that has brought me so much good custom." He produced a well-thumbed copy, and handing it to the author, begged he would at least suggest a motto from the Tale of Flodden Field. Scott opened the book at the death-scene of the hero, and his eye was immediately caught by the "inscription" in black letter:—
For the kind soul of Sibyl Grey," &c.
"Well, my friend," said he, "what more would you have? You need but strike out one letter in the first of these lines, and make your painter-man, the next time he comes this way, print between the jolly tankard and your own name:—
'Drink, weary pilgrim, drink, and Pay.'"
Scott was delighted to find, on his return, that this suggestion had been adopted, and for aught I know the romantic legend may still be visible.'
The characters in the poem are hardly less vigorous in conception and presentation than the descriptions. It may be true, as Carlyle asserts in his ungenerous essay on Scott,
