room, turned off the gas, and composed himself to sleep. Nor did he have much better luck with the other three books. It was not that his brain was weak or incapable; it could think these thoughts were it not for lack of training in thinking and lack of the thought-tools with which to think. He guessed this, and for a while entertained the idea of reading nothing but the dictionary until he had mastered every word in it.
Poetry, however, was his solace, and he read much of it, finding his greatest joy in the simpler poets, who were more understandable. He loved beauty, and there he found beauty. Poetry, like music, stirred him profoundly, and, though he did not know it, he was preparing his mind for the heavier work that was to come. The pages of his mind were blank, and, without effort, much he read and liked, stanza by stanza, was impressed upon those pages, so that he was soon able to extract great joy from chanting aloud or under his breath the music and the beauty of the printed words he had read. Then he stumbled upon Gayley's "Classic Myths" and Bulfinch's "Age of Fable," side by side on a library shelf. It was illumination, a great light in the darkness of his ignorance, and he read poetry more avidly than ever.
The man at the desk in the library had seen Martin there so often that he had become quite cordial, always greeting him with a smile and a nod when he entered. It was because of this that Martin did a daring thing. Drawing out some books at the desk, and while the man was stamping the cards, Martin blurted out:—
"Say, there's something I'd like to ask you."
The man smiled and paid attention.
"When you meet a young lady an' she asks you to call, how soon can you call?"
Martin felt his shirt press and cling to his shoulders, what of the sweat of the effort.
"Why I'd say any time," the man answered.
"Yes, but this is different," Martin objected. "She—I—well, you see, it's this way: maybe she won't be there. She goes to the university."
