Page:Mary Rinehart - Man in Lower Ten.djvu/177

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THE CINEMATOGRAPH
159

was in better spirits. I had told McKnight the story of the three hours just after the wreck; I had not named the girl, of course; she had my promise of secrecy. But I told him everything else. It was a relief to have a fresh mind on it: I had puzzled so much over the incident at the farm-house, and the necklace in the gold bag, that I had lost perspective.

He had been interested, but inclined to be amused, until I came to the broken chain. Then he had whistled softly.

"But there are tons of fine gold chains made every year," he said. "Why in the world do you think that the—er—smeary piece came from that necklace ?"

I had looked around. Johnson was far behind, scraping the mud off his feet with a piece of stick.

"I have the short end of the chain in the sealskin bag," I reminded him. "When I couldn't sleep this morning I thought I would settle it, one way or the other. It was hell to go along the way I had been doing. And—there's no doubt about it, Rich. It's the same chain."