The audience, busy with its wraps, had not noticed. Mrs. Dallas and Alison West had gone. In front of us Johnson had dropped his hat and was stooping for it.
"This way," I motioned to McKnight, and we wheeled into the narrow passage beside us, back of the boxes. At the end there was a door leading into the wings, and as we went boldly through I turned the key.
The final set was being struck, and no one paid any attention to us. Luckily they were similarly indifferent to a banging at the door I had locked, a banging which, I judged, signified Johnson.
"I guess we've broken up his interference," McKnight chuckled.
Stage hands were hurrying in every direction; pieces of the side wall of the last drawing-room menaced us; a switchboard behind us was singing like a tea-kettle. Everywhere we stepped we were in somebody's way. At last we were across, confronting a man in his shirt sleeves, who by dots and dashes of profanity seemed to be directing the chaos.
