The shadow unfairly cast upon her reputation must be dissipated.
Mary valued Fuseli as one of her dearest friends. He, like her, was an enthusiast. He was a warm partisan of justice and a rebel against established institutions. He would take any steps to see that the rights of the individual were respected. His interference in a case where men in subordinate positions were defrauded by those in authority, but which did not affect him personally, was the cause of his being compelled to leave Zurich, his home, and thus, eventually, of his coming to England. Besides their unity of thought and feeling, their work often lay in the same direction. Fuseli, as well as Mary, translated for Johnson, and contributed to the Analytical Review. He was an intimate friend of Lavater, whose work on Physiognomy Mary had translated with the liveliest interest. There was thus a strong bond of sympathy between them, and many ways in which they could help and consult with each other in their literary tasks. Mary was devoid of the coquetry which is so strong with some women that they carry it even into their friendships. She never attempted to conceal her liking for Fuseli. His sex was no drawback. Why should it be? It had not interfered with her warm feelings for George Blood and Mr. Johnson. She was the last person in the world to be deterred from what she thought was right for the sake of appearances.
However, another construction was given to her friendly demonstrations. The story told both by Knowles, the biographer of Fuseli, and by Godwin, is that Mary was in love with the artist; and that the necessity of suppressing, even if she could not destroy,
