Balzac, in his Cousine Bette, says that there is no stronger passion than the love of one woman for another. Mary Wollstonecraft's affection for Frances Blood is a striking illustration of the truth of his statement. It was strong as that of a Sappho for an Erinna; tender and constant as that of a mother for her child. From the moment they met until they were separated by poor Fanny's untimely death, Mary never wavered in her devotion and its active expression, nor could the vicissitudes and joys of her later life destroy her loving loyalty to the memory of her first and dearest friend. "When a warm heart has strong impressions," she wrote in a letter long years afterwards, "they are not to be effaced. Emotions become sentiments: and the imagination renders transient sensations permanent, by fondly retracing them. I cannot without a thrill of delight recollect views I have seen, which are not to be forgotten, nor looks I have felt in every nerve, which I shall never more meet. The grave has closed over a dear friend, the friend of my youth; still she is present with me, and I hear her soft voice warbling as I stray over the heath."
There was much to draw the two friends together. They had many miseries and many tastes and interests in common. Fanny's parents were poor, and her father, like Mr. Wollstonecraft, was idle and dissipated. There were young children to be reared, and an incompetent mother to do it. Fanny was only two years older than Mary, but was, at that time, far more advanced mentally. Her education had been more complete. She was in a small way both musician and artist, was fond of reading, and had even tried her powers at writing. But her drawing had proved her
