Page:Master Eustace (1920).djvu/24

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14
Master Eustace


demanded great license, he used it with a peculiar grace of his own, and he admitted the corresponding obligation of being clever and brilliant. As a child even, he seemed to be in a sort of occult sympathy with the picturesque. His talents were excellent, and teaching him, whatever it may have been, was at least not dull work. It was indeed less to things really needful than to the luxuries of learning that he took most kindly. He had an excellent ear for music, and though he never fairly practised, he turned off an air as neatly as you could have wished. In this he resembled his mother, who was a natural musician. She, however, was always at the piano, and whenever I think of her in those early years, I see her sitting before it musingly, half sadly, with her pretty head on one side, her fair braids thrust behind her ears—ears from which a couple of small but admirable diamonds were never absent—and her white hands wandering over the notes, seeking vaguely for an air which they seemed hardly to dare to remember. Eustace had an insatiable appetite for stories, though he was one of the coolest and most merciless of critics. I can fancy him now at my knee with his big, superbly-expectant eyes fastened on my lips, demanding more wonders and more, till my poor little short-winded invention had to cry mercy for its impotence. Do my best, I could never startle him; my giants were never big enough