least have made an attempt to put down what he saw; but here was the work of a vulgar mind chock full of recollections of vulgar pictures. Philip remembered that she had talked enthusiastically about Monet and the Impressionists, but here were only the worst traditions of the Royal Academy.
"There," she said at last, "that's the lot."
Philip was no more truthful than anybody else, but he had a great difficulty in telling a thundering, deliberate lie, and he blushed furiously when he answered:
"I think they're most awfully good."
A faint colour came into her unhealthy cheeks, and she smiled a little.
"You needn't say so if you don't think so, you know. I want the truth."
"But I do think so."
"Haven't you got any criticism to offer? There must be some you don't like as well as others."
Philip looked round helplessly. He saw a landscape, the typical picturesque 'bit' of the amateur, an old bridge, a creeper-clad cottage, and a leafy bank.
"Of course I don't pretend to know anything about it," he said. "But I wasn't quite sure about the values of that."
She flushed darkly and taking up the picture quickly turned its back to him.
"I don't know why you should have chosen that one to sneer at. It's the best thing I've ever done. I'm sure my values are all right. That's a thing you can't teach anyone, you either understand values or you don't."
"I think they're all most awfully good," repeated Philip.
She looked at them with an air of self-satisfaction.
"I don't think they're anything to be ashamed of."
Philip looked at his watch.
"I say, it's getting late. Won't you let me give you a little lunch?"
"I've got my lunch waiting for me here."
Philip saw no sign of it, but supposed perhaps the concierge would bring it up when he was gone. He was in a hurry to get away. The mustiness of the room made his head ache.
