pauses were frequent in which she straightened herself from the hips and turned to thrust chin and voice into the debate. You saw then the sharp angle, the fine line of light along that raised chin, the charming turn of the neck, her free young shoulders and shapely head; also you marked her lively tones of ci and si, and how her shaking finger drove them home. The wind would catch her yellow hair sometimes and wind it across her bosom like a scarf; or it streamed sideways like a long pennon; or being caught by a gust from below, sprayed out like a cloud of litten gold. Vanna always joined in the laugh at her mishap, tossed her tresses back, pinned them up (both hands at the business); and then, with square shoulders and elbows stiff as rods, set to working the dirt out of Don Urbano's surplice. Baldassare brooded, chewing straws. What a clear colour that girl had, to be sure! What a lissom rascal it was! A fine long girl like that should be married; by all accounts she would make a man a good wife. If he were a dozen years the better of four and fifty he might— Then came a shrug, and a "Ma!" to conclude in true Veronese Baldassare's ruminations. Shrug and explosion signalled two stark facts: Baldassare was fifty-four, and Vanna had no portion.
Yet he remained watching on the bridge, his chin buried in his knotty hands, his little eyes blinking under stress of the inner fire he had. So it befell that La Testolina saw him, and said something shrill and saucy to her neighbour. The wind tossed him the tone but not the sense. He saw the joke run crackling down the line, all
