stroke her hair. "Ah, they love the man," thought Angioletto; "good!"
"Why, chick," said Duke Borso, "you are like a cage of singing-birds scared by the cat."
"Your Grace shall judge whether we are too scared to sing," replied his laughing daughter. "Come," she added, turning to Angioletto, "tune your viol and pipe to it again, my little poet."
The Duke made a wry mouth. "Hey, I have no ear for music, my dear," said he.
Angioletto was ready for him. "If your Magnificence will permit," he said, "I will take care not to offend his honourable ear. I will say my piece, with no more music than will serve to tie word to word. May it be so, Magnificence? Have I liberty, Madam?" He bowed, smiling, from one to the other of the great people.
He was a very courtly and charming little person, this Tuscan youth. Above all he had a ready address. So bright and strong, and yet so deferential did he look, pleading his cause among them, Lionella could have kissed him again for nothing more than his dexterity.
"Ah, you shall do whatever you like, Angioletto!" she cried.
Borso's eyes twinkled, and he primmed his lips. "I do not go so far as Madama, Master Angioletto, but I shall be pleased to hear what you are pleased to give me." He fell into an attitude of profound attention.
Angioletto, having bowed once more, began.
It so happened that Lorenzo de' Medici, that monster of genius, had not long printed his Caccia col falcone. Angioletto had it by heart
