But her hand was steady; she hardly winked; her breath, which came through her nose, was even, though it whistled rather sharply. Whatever she was about—and she seemed to be acting a part—she did with extraordinary care, down to the changing of her crimson dress for a dark green one. The former had been loose and clinging, made of velvet; the dark green was of cloth, fitted her close, and, as she ascertained by a few gestures, gave free play to her arms. She knocked off her heeled Venetian shoes, whose clatter was familiar to the house, and bound on flat-soled sandals instead. Over her head she had a black lace scarf, on her hands leather gauntlets. Lastly, she took from a press a long, double-edged knife, felt its temper, and stuck it inside her stocking, under the garter. She made a final hasty sweep of the room with her unquiet eyes as she went out of it.
The door of the house she knocked upon was opened by a page, who asked her business.
"Mosca, Captain Mosca, is my business," said she in a whisper.
"The Signor Capitano is occupied, Madonna," replied the boy.
"I know it, I know it," she answered. "But my business is the lady's business also. I must see them both—and at once. Let me pass."
The page vowed and swore by all the company of Heaven that those were her actual words. He was put to the torture and cried in the most heartrending manner; but he held to it, so long as he could hold to anything, that the visitor had said "her business was the other lady's business."
