picturesque. “Given,” an oblong: divide it into twenty-one parts, three in breadth, seven in depth. You give each of these partitions a number, beginning with the upper corner on the left-hand side, from there to the right, so that four comes under one, and so on.
| 1 | 2 | 3 |
| 4 | 5 | 6 |
| 7 | 8 | 9 |
| 10 | 11 | 12 |
| 13 | 14 | 15 |
| 16 | 17 | 18 |
| 19 | 20 | 21 |
The first three numbers together form the fore-gallery, which is often open on three sides, and whose roof is supported in the front by pillars. From there, one enters by two folding doors, the inner gallery which is represented by the three following numbers. The partitions 7, 9, 10, 12, 13, 15, 16, and 18, are rooms, most of them being connected by doors with each other. The three last numbers form the open gallery behind, and what I have not mentioned is a sort of closed inner gallery or passage. I am very proud of this description.[1]
I do not know what expression is used in Holland to give the idea conveyed in the Indies by the word “estate.” “Estate” is there neither garden, nor park, nor field, nor wood, but either something, or that, or altogether, or none of these. It is the ‘ground’ that belongs to the house, in
- ↑ Nos. 7 and 10, 10 and 13, 13 and 16, are connected by doors with each other; 9 and 12, 12 and 15, 15 and 18 are connected by doors with each other. Between 5 and 8 a door; between 17 and 20 a door; between 7 and 8, 10 and 11, 13 and 14, 16 and 17 doors; between 8 and 9, 11 and 12, 14 and 15, 17 and 18 doors.
