II
From the earliest record of events, either sacred or profane, the genus Bos has been associated with the history of the landowner. The Ancient Egyptian saw in him certain traces of divinity, and honored it with proper recognition. The lamented Job, erstwhile poet of calamity, found time amid the recording of his numerous disasters to set down his venerable appreciation of the species; and the pagan Homer, while singing of gods and men, remembered to sing also the virtues of the noble bullock; and the painters, too, from Claude Lorraine to Rosa Bonheur, have deigned to consider the artistic importance of the domesticated kine; treating him first as a necessary adjunct to a landscape, and later as a central figure in the scene. He has had his part, say the records, not infrequently with the
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