on to victory; while the Greeks, cowardly as treacherous people always are, were paralysed by a foreboding of evil. It has been a matter of astonishment to all historians, that Murzuphlis, with the reputation for courage which he had acquired, and the immense resources at his disposal, took no better measures to repel the onset of the Crusaders. Their numbers were as a mere handful in comparison with those which he could have brought against them; and if they had the hopes of plunder to lead them on, the Greeks had their homes to fight for, and their very existence as a nation to protect. After an impetuous assault, repulsed for one day, but renewed with double impetuosity on another, the Crusaders lashed their vessels against the walls, slew every man who opposed them, and, with little loss to themselves, entered the city. Murzuphlis fled, and Constantinople was given over to be pillaged by the victors. The wealth they found was enormous. In money alone there was sufficient to distribute twenty marks of silver to each knight, ten to each squire or servant at arms, and five to each archer. Jewels, velvets, silks, and every luxury of attire, with rare wines and fruits, and valuable merchandise of every description, also fell into their hands, and were bought by the trading Venetians, and the proceeds distributed among the army. Two thousand persons were put to the sword; but had there been less plunder to take up the attention of the victors, the slaughter would in all probability have been much greater.
In many of the bloody wars which defile the page of history, we find that soldiers, utterly reckless of the works of God, will destroy his masterpiece, man, with unsparing brutality, but linger with respect round the beautiful works of art. They will slaughter women and children, but spare a picture; will hew down the sick, the helpless, and the hoary-headed, but refrain from injuring a fine piece of sculpture. The Latins, on their entrance into Constantinople, respected neither the works of God nor man, but vented their brutal ferocity upon the one, and satisfied their avarice upon the other. Many beautiful bronze statues, above all price as works of art, were broken into pieces to be sold as old metal. The finely-chiselled marble, which could be put to no such vile uses, was also destroyed with a recklessness, if possible, still more atrocious.[1]
- ↑ The following is a list of some of the works of art thus destroyed, from Nicetas, a contemporary Greek author: 1st. A colossal Juno, from the forum of Constantine, the head of which was so large that four horses could scarcely draw it from the place where it stood to the palace. 2d. The statue of Paris, presenting the apple to Venus. 3d. An immense bronze pyramid, crowned by a female figure, which turned with the wind. 4th. The colossal statue of Bellerophon, in bronze, which was broken down and cast into the furnace. Under the inner nail of the horse's hind foot on the left side, was found a seal wrapped in a woollen cloth. 5th. A figure of Hercules, by Lysimachus, of such vast
