made the name for a conversation on Beauty, which was extended through four meetings, as it brought in irresistibly the related topics of poetry, genius, and taste. Neptune was Circumstance; Pluto, the Abyss, the Undeveloped; Pan, the glow and sportiveness and music of Nature; Ceres, the productive power of Nature; Proserpine, the Phenomenon.
Under the head of Venus, in the fifth conversation, the story of Cupid and Psyche was told with fitting beauty, by Margaret; and many fine conjectural interpretations suggested from all parts of the room. The ninth conversation turned on the distinctive qualities of poetry, discriminating it from the other fine arts. Rhythm and Imagery, it was agreed, were distinctive. An episode to dancing, which the conversation took, led Miss Fuller to give the thought that lies at the bottom of different dances. Of her lively description the following record is preserved: —
‘Gavottes, shawl dances, and all of that kind, are
intended merely to exhibit the figure in as many
attitudes as possible. They have no character, and say
nothing, except, Look! how graceful I am!
‘The minuet is conjugal; but the wedlock is chivalric. Even so would Amadis wind slow, stately, calm, through the mazes of life, with Oriana, when he had made obeisances enough to win her for a partner.
‘English, German, Swiss, French, and Spanish dances all express the same things, though in very different ways. Love and its life are still the theme.
‘In the English country dance, the pair who have chosen one another, submit decorously to the restraints of courtship and frequent separations, cross hands,
