The servant who admitted me was in the picturesque costume of a peasant, and, as Madame Sand afterward told me, her god-daughter, whom she had brought from her province. She announced me as “Madame Salere,” and returned into the ante-room to tell me, “Madame says she does not know you.” I began to think I was doomed to a rebuff, among the crowd who deserve it. However, to make assurance sure, I said, “Ask if she has not received a letter from me.” As I spoke, Madame S. opened the door, and stood looking at me an instant. Our eyes met. I never shall forget her look at that moment. The doorway made a frame for her figure; she is large, but well-formed. She was dressed in a robe of dark violet silk, with a black mantle on her shoulders, her beautiful hair dressed with the greatest taste, her whole appearance and attitude, in its simple and lady-like dignity, presenting an almost ludicrous contrast to the vulgar caricature idea of George Sand. Her face is a very little like the portraits, but much finer; the upper part of the forehead and eyes are beautiful, the lower, strong and masculine, expressive of a hardy temperament and strong passions, but net in the least coarse; the complexion olive, and the air of the whole head Spanish, (as, indeed, she was born at Madrid, and is only on one side of French blood.) All these details I saw at a glance; but what fixed my attention was the expression of goodness, nobleness, and power, that pervaded the whole, — the truly human heart and nature that shone in the eyes. As our eyes met, she said, “C'est vous,” and held out her hand. I took it, and went into her little study; we sat down a moment, then I said, “Il me fait de bien de vous voir,” and I am sure I said it with my whole heart, for it made me very happy to see such a woman, so
